Baseline Lighting Design Studio

Baseline Lighting Design Studio ▪️ Lighting Design Consultancy ▪️ Sustainable Lighting Experts
▪️ Decorative Lighting Engineering ▪️

How do you light a hotel interior?💡One hero, one supporter, everything else falls backNobody has ever walked into a lobb...
02/10/2026

How do you light a hotel interior?💡
One hero, one supporter, everything else falls back

Nobody has ever walked into a lobby and said, “lovely lux levels!”

They notice one thing. Then a second. Then they stop counting.
So we decide it on the plan, before any light exists.

If a fourth thing wants attention, that’s an argument, not a detail.
Here’s the test: Take a night photo of your space and squint until it blurs.

𝗪𝗵𝗮𝘁𝗲𝘃𝗲𝗿 𝗶𝘀 𝘀𝘁𝗶𝗹𝗹 𝘃𝗶𝘀𝗶𝗯𝗹𝗲 𝗶𝘀 𝘄𝗵𝗮𝘁 𝘆𝗼𝘂𝗿 𝗹𝗶𝗴𝗵𝘁𝗶𝗻𝗴 𝗮𝗰𝘁𝘂𝗮𝗹𝗹𝘆 𝘀𝗮𝗶𝗱.

When the eye knows where to go, the guest feels looked after ✨

Have a lobby or a boutique that needs to say something?
Let’s make it talk: link in the comments👇

Every facilities manager has seen the wall go warm.Almost none of them write it up.Not because they missed it. They walk...
22/09/2026

Every facilities manager has seen the wall go warm.
Almost none of them write it up.

Not because they missed it. They walk past it daily🚶

A fixture over the fitting rooms failed during a reset. Maintenance ordered the same part number. Correct call, on paper.

LED chips get binned within a tolerance window at manufacture, ANSI C78.377 sets it. A replacement three years later can carry the same spec sheet and still land in a different bin.

One fixture, nobody notices.
By the sixth swap, the back wall reads warmer than the entrance.

Everyone sees it. Nobody escalates it🔍

The honest fix isn’t a lightbulb order. It’s reopening a retrofit budget that was already signed off and closed.

Lumen output makes every punch list. Chromaticity almost never does💡

Curious what’s actually in your ceiling? Let’s talk, link in the comments.

Your phone might be working against your heart while you sleep...Face up on the nightstand is the problem.Most bedroom l...
21/09/2026

Your phone might be working against your heart while you sleep...
Face up on the nightstand is the problem.

Most bedroom lighting briefs get written backwards. Clients ask for reading lights, ambient dimming, a nice glow at turndown. Almost nobody asks for 𝘁𝗿𝘂𝗲 𝘇𝗲𝗿𝗼. But the 𝗮𝗯𝘀𝗲𝗻𝗰𝗲 𝗼𝗳 𝗹𝗶𝗴𝗵𝘁 is a design decision too.

We treat blackout as a first principle on every hospitality project we spec.
Actual dark 🌑
Curtains that seal at the edges, standby lights routed out of the sightline, alarm clocks and device lights accounted for at the drawing stage.

Turns out there’s a reason beyond comfort. A study published last week in the 𝗘𝘂𝗿𝗼𝗽𝗲𝗮𝗻 𝗛𝗲𝗮𝗿𝘁 𝗝𝗼𝘂𝗿𝗻𝗮𝗹 followed 11,071 people, tracking bedroom light for 7 nights, then scanning hearts by MRI 3 years later. People exposed to more than 𝟯 𝗹𝘂𝘅, roughly moonlight, showed thickening in the heart’s main pumping chamber. People in true dark didn’t.

Of course, this is correlation, not proof. 7 nights standing in for 3 years is a real stretch, and sleep duration is part of the mechanism too.

What’s the last thing still glowing in your bedroom at night? 💬

Why do some stores make you want to stay, and others make you want to leave?🛍️✨The price tag? Maybe. But as you’ll expec...
31/08/2026

Why do some stores make you want to stay, and others make you want to leave?🛍️✨

The price tag? Maybe. But as you’ll expect... we’ll talk about the lighting.

This build treats light as merchandising💡
Mirrored ceilings double the display without adding a single extra fixture. Every zone gets its own backlit sign and warm colour cue, so shoppers navigate by glow before they read a word.

Nothing here is dimmed or restrained. It’s warm, dense, and everywhere on purpose✨

If your lighting isn’t working to hold your customer in the space, it’s working against it.

𝑇ℎ𝑒 𝐿𝑖𝑔ℎ𝑡𝑖𝑛𝑔 𝐶ℎ𝑟𝑜𝑛𝑖𝑐𝑙𝑒𝑠, 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 𝑋𝑋𝐼𝑉: 𝑃𝑎𝑖𝑛𝑡𝑖𝑛𝑔 𝑤𝑖𝑡ℎ 𝐿𝑖𝑔ℎ𝑡What do you do with a face you’re not allowed to fully see?𝐺𝑜𝑟...
31/08/2026

𝑇ℎ𝑒 𝐿𝑖𝑔ℎ𝑡𝑖𝑛𝑔 𝐶ℎ𝑟𝑜𝑛𝑖𝑐𝑙𝑒𝑠, 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 𝑋𝑋𝐼𝑉: 𝑃𝑎𝑖𝑛𝑡𝑖𝑛𝑔 𝑤𝑖𝑡ℎ 𝐿𝑖𝑔ℎ𝑡

What do you do with a face you’re not allowed to fully see?

𝐺𝑜𝑟𝑑𝑜𝑛 𝑊𝑖𝑙𝑙𝑖𝑠 didn’t set out to hide Marlon Brando’s eyes. He was solving a makeup problem. Brando wore heavy prosthetics to age into Vito Corleone, and the only angle that sold the illusion was light coming straight from above. It also swallowed his eyes in shadow. Willis looked at the dailies and kept it that way.

Paramount didn’t agree. Their biggest star, and you couldn’t read his face. Some executives worried the whole film was too dark to even project properly in theatres. 𝐹𝑟𝑎𝑛𝑐𝑖𝑠 𝐹𝑜𝑟𝑑 𝐶𝑜𝑝𝑝𝑜𝑙𝑎 held the line anyway. Willis went on to shoot the other two films in the trilogy 🎬

Here’s the part that still gets missed. The eyes you can’t see aren’t an absence, they’re an invitation. You lean toward the screen looking for them, and somewhere in that lean, you’ve already decided this man runs the room without needing to prove it to you.

𝑁𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝐺𝑎𝑙𝑙𝑒𝑟𝑦 𝑆𝑖𝑛𝑔𝑎𝑝𝑜𝑟𝑒 has run a festival on that same instinct since 2017. 𝑃𝑎𝑖𝑛𝑡𝑖𝑛𝑔 𝑤𝑖𝑡ℎ 𝐿𝑖𝑔ℎ𝑡 is built around films that examine art and the people behind it, screened at the Gallery each edition. Nothing about the programme is there for spectacle.

Photography plays the same game with less room to hide. One frame. One exposure. One decision about where the light lands, and where you let it stay dark.

So, what do you do with a face you’re not allowed to fully see? You light around it. You trust the room to lean in. Willis trusted that more than fifty years ago, and we’re still leaning 🌑

“The best lighting decision we made this year was to disappear.”Not the fixtures. Not us. The light source itself💡We’r s...
19/08/2026

“The best lighting decision we made this year was to disappear.”

Not the fixtures. Not us. The light source itself💡

We’r seeing it across every serious brief this year. Grid ceilings are disappearing. Fixtures are disappearing. What’s left is ultra-recessed, micro-aperture light that guests never actually see, just intense, high-contrast spotlighting locked onto the product, the material, the moment that’s supposed to matter.
And it’s not only about what’s hidden. The light itself is starting to behave differently through the day, cooler and sharper in the morning to keep energy up, warm and lowglare by evening to slow guests down, because a body that feels comfortable stays longer, and 𝗮 𝗴𝘂𝗲𝘀𝘁 𝘄𝗵𝗼 𝘀𝘁𝗮𝘆𝘀 𝗹𝗼𝗻𝗴𝗲𝗿 𝘀𝗽𝗲𝗻𝗱𝘀 𝗺𝗼𝗿𝗲 🌙

So the fixtures that do stay visible aren’t apologizing for it either. They’re getting bigger, more sculptural, alabaster, blackened brass, hand-spun aluminum, built to work as art even switched off. Two opposite moves, same intent: Light that serves the space and the people in it

That’s the shift.
Either your lighting strategy is built around it, or it isn’t.

Ready to find out which? ✨

𝑇ℎ𝑒 𝐿𝑖𝑔ℎ𝑡𝑖𝑛𝑔 𝐶ℎ𝑟𝑜𝑛𝑖𝑐𝑙𝑒𝑠, 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 𝑋𝑋𝐼𝐼𝐼: 𝐿𝑎𝑛𝑡𝑒𝑟𝑛 𝑅𝑖𝑡𝑢𝑎𝑙𝑠There’s a reason four different countries in Asia all landed on t...
18/08/2026

𝑇ℎ𝑒 𝐿𝑖𝑔ℎ𝑡𝑖𝑛𝑔 𝐶ℎ𝑟𝑜𝑛𝑖𝑐𝑙𝑒𝑠, 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 𝑋𝑋𝐼𝐼𝐼: 𝐿𝑎𝑛𝑡𝑒𝑟𝑛 𝑅𝑖𝑡𝑢𝑎𝑙𝑠

There’s a reason four different countries in Asia
all landed on the same ritual, independently.

Taiwan does it at the tail end of Lunar New Year. You write a wish on paper, light it, and let go. No ceremony beyond that. It just rises until it’s a star you can’t tell apart from the real ones 🏮

Seoul does the opposite. Nothing goes up. Hundreds of lanterns sit along the waterways and plazas during the Seoul Lantern Festival, each one built around a story somebody decided mattered enough to build a lantern about.
Japan and China have their own versions, tied more to prayer than spectacle. Health, remembrance, the usual weight people put on light when words aren’t enough ✨

None of it is really about visibility, if you think about it. A streetlight does one job. It illuminates a path and that’s the whole transaction. A lantern does something stranger, it passes from your hands into a stranger’s field of vision, and somewhere in that handoff it stops belonging to you.

We spend most of our working hours on lumens, glare, uniformity ratios. Fair enough, that’s the job. But somewhere back before any of that had names, someone was already doing this with paper and fire and a wish they didn’t say out loud.

It still starts there 🕯️

What a pleasure to take part in 𝗗𝗲𝘃𝗖𝗢’s 8th Edition, “𝑇ℎ𝑒 𝑃𝑟𝑒𝑚𝑖𝑢𝑚 𝑡ℎ𝑎𝑡 𝑃𝑎𝑦𝑠 𝐵𝑎𝑐𝑘,” held in Ho Chi Minh City 🌿Our Lighti...
12/08/2026

What a pleasure to take part in 𝗗𝗲𝘃𝗖𝗢’s 8th Edition, “𝑇ℎ𝑒 𝑃𝑟𝑒𝑚𝑖𝑢𝑚 𝑡ℎ𝑎𝑡 𝑃𝑎𝑦𝑠 𝐵𝑎𝑐𝑘,” held in Ho Chi Minh City 🌿

Our Lighting Design Manager, Wanlop Chantarakolkit, joined the panel of speakers for the evening. It was a pleasure to see him and our CEO, Boris DUHAMEL , being part of the conversations and meeting so many talented professionals from across the real estate and sustainability space 🤝

Thank you to DevCo for the invitation and the opportunity to be part of this gathering as a Strategic Partner.

Looking forward to more conversations like this ahead ✨

43 fixtures in one ceiling. You’d hardly spot a single one....Recessed points, hidden coffers, trims that disappear into...
10/08/2026

43 fixtures in one ceiling. You’d hardly spot a single one....

Recessed points, hidden coffers, trims that disappear into drywall. That’s what it takes to hit that number

The client’s question wasn’t about the design. It was “where’s the light coming from.”

That’s the whole trend in one sentence.

Two things sit underneath it. Colour temperature that shifts through the day, cooler at 8am, warmer by 8pm

And scenes programmed to move people through a space without them noticing the transition. Arrival. Dining. Bar.

Retail is doing the same thing with less budget and more ambition

Overhead grids are out. Layered ambient is in. Nobody name-checks sustainability anymore either, it’s just fewer watts doing the same job better

Restraint reads as authority now.

Still figuring out where the line is between invisible and forgettable? Let’s talk.

𝑇ℎ𝑒 𝐿𝑖𝑔ℎ𝑡𝑖𝑛𝑔 𝐶ℎ𝑟𝑜𝑛𝑖𝑐𝑙𝑒𝑠, 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 𝑋𝑋𝐼𝐼: 𝐴𝑚𝑠𝑡𝑒𝑟𝑑𝑎𝑚 𝐿𝑖𝑔ℎ𝑡 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙Twenty artworks. One of them repeated itself twenty years...
07/08/2026

𝑇ℎ𝑒 𝐿𝑖𝑔ℎ𝑡𝑖𝑛𝑔 𝐶ℎ𝑟𝑜𝑛𝑖𝑐𝑙𝑒𝑠, 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 𝑋𝑋𝐼𝐼: 𝐴𝑚𝑠𝑡𝑒𝑟𝑑𝑎𝑚 𝐿𝑖𝑔ℎ𝑡 𝐹𝑒𝑠𝑡𝑖𝑣𝑎𝑙

Twenty artworks. One of them repeated itself twenty years later.

𝐽𝑜𝑛 𝑉𝑜𝑠𝑠 first showed his illuminated Swans at the festival back in 2005. This edition, they’re back on the water, and they land harder now than they did then. Same sculpture, same canal, an entirely different city looking at it.

Look at the technique underneath the route. 𝐹𝑖𝑙𝑖𝑝 𝑅𝑜𝑐𝑎 projected onto the curved facade of NEMO, using the building’s own geometry as the canvas, so the light doesn’t sit on the surface, it moves with it.

Other pieces trigger off footsteps or sound, so the beam isn’t fixed content anymore, it’s a live variable. That’s the shift worth noticing. Light stops illustrating a story and starts writing it in real time 🌊

None of these pieces are chasing pretty for its own sake. They ask you to slow down and read the space differently 🌒

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