Architecture BRIO

Architecture BRIO Architecture BRIO is an Indian architecture practice set up in Mumbai. It has developed a design philosophy that goes beyond the norm.

Architecture BRIO is actively engaged in the creation of contextually appropriate solutions within an increasingly changing world. Design studio in Mumbai and Rotterdam set up by Robert Verrijt and Shefali Balwani focusing primarily on the fields of architecture, interior and sustainable design. Its uniqueness is that it combines European forte of detailing and pragmatism with the richness of Asian tradition and culture. Aesthetics, technological innovation and sustainability are the corner stones of its guiding philosophy.

Sourcing Karoli!We used Karoli stone for multiple applications in our recently completed project in Kutch, drawing on it...
23/10/2026

Sourcing Karoli!
We used Karoli stone for multiple applications in our recently completed project in Kutch, drawing on its widespread use across Rajasthan and its suitability for dry climates.

Visiting quarries allows us to understand the material at its source, explore its natural variations and handpick stone in shades that align with our design intent

(karoli stone, natural stone, stone quarry, material exploration, regional materials, design process, craft, kutch architecture, residential design, materials in architecture)

21/10/2026

An inward-looking sanctuary set within the orchard, DUA Villa is shaped by quietude, framed curated views of the landscape and the play of light and shadow.
Arches give rhythm and depth to the facade, along with skylights channelling daylight into spaces, that shifts through the day and through the seasons.

This model is carved by hand from solid blocks of wood, echoing the monolithic character of the architecture!

photography & videography:

(residential architecture, design process, model making architecture design, landscape design, materials in architecture)

Our ongoing project in the hills of Chikkamagaluru, nestled in lush coffee plantations! Surrounded by dense green cover ...
19/10/2026

Our ongoing project in the hills of Chikkamagaluru, nestled in lush coffee plantations!
Surrounded by dense green cover and opening out towards sweeping views of the valley, the site carries a strong sense of place - quiet, layered and a retreat into the landscape.

We’re excited to work with this beautiful landscape and explore how the project takes shape within it!

(architectural design, design process, site visit, coffee plantation, home design, coffee estate, landscape design, chikkamagaluru, slow living, architecture in nature, new project)

16/10/2026

The Forest House at scale!

The House from the densely planted forest.Landscape: Kushal Lachhwani kushal lachhwani Photography: Ish*ta Sitwala Ishi ...
14/10/2026

The House from the densely planted forest.

Landscape: Kushal Lachhwani kushal lachhwani

Photography: Ish*ta Sitwala Ishi Sitwala
Styling: Kunnal Dass kunnaldass

Team BRIO:

Robert Verrijt
Rohit Mankar
Kamakshi Shah
Aishwarya Dharmarajan
Hardik Dedhia
Aditti B
Ritika Mehta
Chaitanya Gajbhiye
Aakriti Khanna

(residential architecture, design process, architecture design, landscape design, materials in architecture, local brick, living in nature, tropical living, facade, verandahs, outdoor living)

At the Forest House, the outdoor dining deck becomes an extension of family life - a place to gather, share meals and spend time together under the trees.

Open to the meadow, it keeps everyday life closely connected to the landscape with views and the changing canopy becoming part of the experience of the space.

looking through the Forest House!Preliminary sketches conceptualising the visual thoroughfare of the home.Landscape: Kus...
12/10/2026

looking through the Forest House!

Preliminary sketches conceptualising the visual thoroughfare of the home.

Landscape: Kushal Lachhwani kushal lachhwani

Team BRIO:

Robert Verrijt
Rohit Mankar
Kamakshi Shah
Aishwarya Dharmarajan
Hardik Dedhia
Aditti B
Ritika Mehta
Chaitanya Gajbhiye
Aakriti Khanna

(residential architecture, design process, architecture design, landscape design, materials in architecture, local brick, home design, living in nature, tropical living, courtyards, sightlines, transition)

looking through the Forest HouseOverlapping sightlines allow the house to be experienced as a continouse whole - unfoldi...
09/10/2026

looking through the Forest House

Overlapping sightlines allow the house to be experienced as a continouse whole - unfolding views through windows & doorways extending across corridors, courtyards and gardens, often revealing one space through another.

The house is conceived as an interconnected living environment, where the boundaries between inside and outside are constantly shifting. As windows open, rooms extend into courtyards, passages lead into gardens, and spaces once perceived as interiors become part of the surrounding landscape.

Landscape: Kushal Lachhwani kushal lachhwani

Photography: Ish*ta Sitwala Ishi Sitwala
Styling: Kunnal Dass kunnaldass

Team BRIO:

Robert Verrijt
Rohit Mankar
Kamakshi Shah
Aishwarya Dharmarajan
Hardik Dedhia
Aditti B
Ritika Mehta
Chaitanya Gajbhiye
Aakriti Khanna

(residential architecture, design process, architecture design, landscape design, materials in architecture, local brick, home design, living in nature, tropical living, courtyards, sightlines, transition)

Model of the Bentota Beach Hotel, Sri Lanka | at the Vitra Design Museum, 2026From Robert’s archive: a glimpse into the ...
01/10/2026

Model of the Bentota Beach Hotel, Sri Lanka | at the Vitra Design Museum, 2026

From Robert’s archive:
a glimpse into the craft and experimentation behind the making of the Bentota Beach Hotel model in Sri Lanka in 2004, during the early years of his career.

These models were especially made for the “Geoffrey Bawa – Genius of the Place. An Architect of Sri Lanka” exhibition that debuted internationally at the Deutsches Architektur Museum (DAM) in Frankfurt in 2004; many years after Bentota had been completed.

Bentota Beach Hotel, Sri Lanka | in progress model, 2004

Robert carved the base with wood from local timber, to hold inlays of small rocks he picked up from the beach property itself!
For the building, he cast the bastion in concrete, formed the walls in cardboard, used a laminate in the exact shade for the roof, and shaped the columns and horizontal railings from imported walnut veneer.
To recreate the many palm trees on site, he made the trunks from broom hairs and copper wire, and used dried leaves for the palm fronds.

Bentota Beach Hotel, Sri Lanka | in progress model, 2004

Bentota Beach Hotel, Sri Lanka | in progress model, 2004

The balustrade of the railing was made with the hair of a broom!

Much like Geoffrey Bawa’s materialisation, which was mostly determined by whatever materials were available within the country, model making in Sri Lanka also came with its own set of constraints. With the country relatively closed to international trade at the time, proper model-making supplies were hard to come by, so the models were often shaped by whatever could be found or re-purposed.

Bentota Beach Hotel, Sri Lanka | in progress model, 2004

Glimpses from our weekend in Basel, visiting “Geoffrey Bawa: Architecture for the Senses” at the Vitra Design Museum - s...
29/09/2026

Glimpses from our weekend in Basel, visiting “Geoffrey Bawa: Architecture for the Senses” at the Vitra Design Museum - surrounded by drawings, models, furniture, archival photographs & films that trace the many layers of his work.
Walking through the exhibition had us reminiscing about our own time in Sri Lanka; revisiting places, atmospheres and memories that continue to stay with us in our practice!

experimenting with rammed earth mock-ups in our model making den!We began the process by exploring different mixes with ...
28/09/2026

experimenting with rammed earth mock-ups in our model making den!

We began the process by exploring different mixes with materials like sand, red soil, sawdust, shadu clay, pigmented premix cement and white cement - each tested in varying proportions to achieve a range of earthy tones and textures.

These mixes were then layered in different permutations and combinations, building subtle shifts in colour and gradation. Each mould was filled, layered and compacted to create scaled wall samples that mimic the visual depth and stratification of rammed earth.

Address

111-113, Veer Nariman Road
Mumbai
400052

Opening Hours

Monday 9am - 7pm
Tuesday 9am - 7pm
Wednesday 9am - 7pm
Thursday 9am - 7pm
Friday 9am - 7pm

Telephone

+918356834439

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